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Beta Readers and Your Internal Editor

Camp Nanowrimo has rolled around again, which means the corners of the internet I frequent are full of cheerleading and wordcounts and interesting snippets of advice from published authors.  As I am currently more in the editing stage of several projects as opposed to the frantic amassing of words, I thought I’d share some of the things that have caught my attention in the last week or two:

How to Train your Inner Editor by Mary R. Kowal

I watched this right before making notes for critiquing two pieces for my writers’ group, and it did really make me think about the kind of feedback I give, as well as the feedback I’ve gotten. I’ve done the beta-reader thing in several different ways, by email and in person, for strangers, acquaintances, and friends, and I do enjoy it, but now I get to appreciate it as a training exercise for my own writing in a way I’d never considered before.

Quote by Ira Glass, Lovely layout by artist unknown.  If you know whom to credit, please let me know! (Google's reverse image search failed me)
Quote by Ira Glass, Lovely layout by artist unknown. If you know whom to credit, please let me know! (Google’s reverse image search failed me)

For a deeper look at that idea-to-editing-to-just-publish-already zone, Kowal and her fellow authors from the podcast series Writing Excuses have a new anthology called Shadows Beneath, featuring 4 short stories in first draft and revised versions, with discussions of the editing process.  I haven’t read it yet, but it looks like fun.

How Amazon and Goodreads are changing literary criticism – Do you write Goodreads reviews?  Do you follow book bloggers?  Whose opinions do you trust?  I had a bunch of books on my ‘to read’ list based off bloggers’ book reviews that were *panned* on Goodreads–so what now?  I moved them from my ‘buy if you see them’ to ‘see if they’re at the library next time you’re there’ list.  But I won’t ditch them entirely until I read the first few chapters.  How do you react to online reviews?

Slowing down the brain with calligraphic text messaging?  Since much of this post is about being aware of your writing as you’re writing, and being a more mindful reader/responder, I thought it would be fun to wrap up with this entertaining article from a woman who spent a week replying to text messages with hand-written photographic replies.

What do you do to make yourself a more mindful reader and writer?

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Thoughts on Boston and Camp Nano update 2

Fun things first: I’m up over 25,500 words, so I’ve already surpassed the mark I hit in November’s Nanowrimo, which feels good, even if I remain behind par.  I’ve hit the point where the plot ratchets up a notch, hoping that my pacing has been working so far given that my main antagonist has been an invisible puppetmaster.  Pacing is always one of those things I know I need to pay attention to!

Sadly, this has not been such a great week for me, my loved ones, and my city.  Though nearly everyone I know came through Monday’s bombing essentially unscathed, not all did, and the constant strain of continual coverage and bad news has taken its toll even on those of us who were nowhere near the finish line.  I’ve been trying to process through painting and poetry, and positive thoughts.  Sadly, despite my best attempts, my words remain spiralling and frenetic.  Therefore, for lack of a poem of my own worthy of sharing at the moment, since it is National Poetry Month, a poem by one of my favorites that gave me some peace this morning:

Poem of the One World
by Mary Oliver

This morning
the beautiful white heron
was floating along above the water

and then into the sky of this
the one world
we all belong to

where everything
sooner or later
is part of everything else

which thought made me feel
for a little while
quite beautiful myself.

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Camp Nano progress report

For those who are curious, I’m running a little below the target for total wordcount, but it’s been a good writing day: 1,710 words today.  The project I’m working on isn’t a new one, but one I’ve been really gunning to finish, so whatever the wordcount ends up being by the end of the month, fingers crossed the story draft will be entirely wrapped.

Curious?

The project is Dragon’s Midwife, working synopsis:

“Erin walks through a cavern and ends up in 18th century Wales, with a dragon egg, a dangerously perceptive blacksmith, and an industrial-minded English overlord to complicate her way home.”

cover image

Excerpt from the first few pages:

There is no way to be prepared adequately for the experience of raising a dragon. I can say this definitively, because I’ve read about raising dragons, and I’ve raised a dragon, and there is absolutely no way that one prepared me for the other, except possibly by encouraging me to think it could be done.

But I’m getting far ahead of myself.

At the point where my life took a precipitate turn into the ridiculous and simultaneously sublime, I was a twenty-year-old Ivy League student and a self-professed dragon geek. I had historical prints of medieval and Asian dragons in my dorm room. I read all the versions of other people’s dragons I could find—all the Yolens, McKinleys, McCaffreys, you name it. It wasn’t what you’d call an obsession—I did other stuff too—but it was more like an underlying principle in my life. An openness, if you will, to the idea that such marvelous creatures could exist, as more than just a collective unconscious memory of dinosaurs from our teeny ratlike mammalian ancestors.

Like I said, a dragon geek. I made no apologies then, I certainly won’t now. Not after everything that’s happened.

No matter what my unrepentance costs.

= = = = = = =

So there I was, spending the summer after my junior year interning at a historical society in an unpronounceable town in Wales. Sure, I could have done something similar a hell of a lot closer to home. But can you name a single US state flag with a dragon on it?

That’s what I thought.

I loved Wales exactly as much as I thought I would. It was tiny, it was rocky, it was stuffed to the gills with music and legend, and it so far had better weather than the tour books had warned me to expect. I was learning to drive on the wrong side of the road in a ridiculously small blue car, making an unhurried study of the ales and ciders of the area, and climbing dilapidated castle towers in sheep pastures with my free moments.

And on this particular day, just before it all changed, I had given up on castles for a trip to the uncompromisingly wild Welsh seaside. It was heavenly. I had a sweater, a sketchbook, a picnic, and a towel in my backpack, and a flashlight, because my host family had told me there were some safe shallow caves to explore at the foot of the cliff.

You don’t go spelunking alone. I knew it as well as I knew all those other rules—no swimming alone, no hiking alone, unless someone knows your itinerary and how long you plan to be gone. So I should not have taken my hosts’ word for it that the caves were safe, having never been there myself. But I’ve already refused to apologize—and if the fact that I hauled myself into those caves with cheerful unconcern makes me look like the idiot that gets eaten by the monster in the opening scene, so be it. I make no excuses, but I will try to explain.

The caves called to me. The whole country did—I’d been feeling surprisingly at home here all month—but now it was like having ants crawl all over my skin, but in a good way. Like being bathed in electricity but without the imminent threat of a shock. Laugh if you want, but my skin was humming when I got into that cave. I couldn’t have turned back if you’d dragged me.

So I took my flashlight, shouldered my pack, and clambered through a cave that had many more intriguing nooks and crannies than promised, stacking pebbles when passages branched so that I would know if I were going in circles—and so I’d know my way out. When I smelled and felt the fresh air blowing on my face, I grinned. I’d found a way through to the next bay in the cliff! And if I noticed the slight shimmer to the air or the chiming noise as I broke through into the sunlight again, it was only subconsciously—I remember it now only because it haunts my dreams.

I’d like to say that the clues were obvious, that I knew immediately what had happened—but other than a vague memory of that chiming in my head, I noticed nothing.

Of course, the fact that she was lying there on the edge of where the forest met the beach sort of distracted me from everything else.

She was a dragon.

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And She’s at it again, Camp Nanowrimo Edition

The badge of the truly wordcount madYes, I signed up for another month of obsessive wordcounting, this time in pursuit of finishing a piece I was already working on and had laid aside for the last Nanowrimo challenge.  Schola Ariolos is still in progress, in fact I got to work on some back-story for the mysterious mentor Brian Wong last night in my writers’ group, but that particular story is playing understudy and waiting in the wings for right now so that I can (fingers crossed) finish Dragon’s Midwife instead.  Then, muses willing, May will be editing month and June will be submission city.  (And somewhere in there I will be attending pre-wedding festivities for family members and close friends, running family friendly Poetry Festival activities, and doing a bunch of that other museum education-y stuff I blog about.)

And when I need a brain break from my rapid word-spillage this month, I will be delving into The Turncoat, by the charming Donna Thorland, with whom I had a very entertaining lunch today.  Check out her seriously impressive book trailer below–someone’s film production roots are showing!

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The Nanowrimo Wrap

So, in between a weekend festival, a week-long trip to Europe, Thanksgiving weekend and all the commitments that entailed, I managed to hit my (private, drop-dead-with-embarassment-if-you-don’t-make-it) goal of 25K words, plus a little before the month ended.  I didn’t make it to 50K, but I’m still really pleased with what I learned from the whole process, and with the fact that I now have 25K words I didn’t have written at the beginning of the month.

What I took away from my first NaNoWriMo experience:

  • It is possible to turn off my inner editor and just run with what I’ve been writing, and worry about tightening it up later.
  • 1500 words a day is definitely do-able, especially if I keep that inner editor turned off and both limit my distractions and make sure I have a cup of tea nearby.
  • The one write-in I made it to was really great. It was fabulous to meet other writers, and I got a lot written (though next time I’m bothering to bring my laptop, because transcribing all the stuff I wrote in my binder was a lengthy process.  Happily, I did end up having written more than I estimated, though).  I should definitely try to do more of those next time, and meanwhile, I’m going to make a concerted effort to find a local writing group to join.
  • Keeping a log of my word count was actually really good motivation.  (Which I should have known already, given how much I like using stickers on my calendar to mark things like playing my flute or going to the gym)
  • It is okay to go in and ‘fly by the seat of your pants’ –but more outlining would probably help next time, as there were points where I got stuck until I made a more fleshed-out plot arc summary.

Things I learned about Schola Ariolos as I’ve been writing:

  • This is not actually several separate but interconnected short stories, it’s actually 1 novel using 3 of the main characters, and 1 novel using 1 character.  The fifth character hasn’t got a story yet, but he probably will eventually, just not part of either of these two.
  • I hate damaging my characters but they’re more interesting when I do.
  • The character I did not intend to be much like me is; the character I thought was more me isn’t, the longer I write them both.  Fascinating.
  • I’m actually more excited about this story now than I was when I started, even though I’m now getting into the thick of plotting and complications, which is when my inner editor starts snarling at me.
  • I can finish this.
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NaNoWrimo (n.) – Insanity in 50K words

nanowrimo participant badge

This year I decided to jump into the wild and wacky world of NaNoWriMo to give my writing an extra boost and to help silence my extraordinarily critical inner editor. This project turned out to be a fortuitous combination of stories I’ve been pondering for a while, which it turns out, all are inter-related and happen in the same universe.  The working title for this collection of interlocking stories is  Schola Ariolos (Latin for “School for Wizards”).  This moniker is, as the characters in the world discover, a bit misleading–Hogwarts it is not.  If you’re curious to find out more about the project, you can find a page about it here or linked over on my sidebar.

How am I doing?

I need prodding, and praise, so help me along by jeering when my days are red (‘Get off the internet and write!’), nudging when they’re yellow (‘Par is not good enough!’), and praising when they’re green (‘Yay words!’).  As I progress, I’ll post some of my favorite snippets and synopses of each book.

(And if any of you are also busy being Wrimos, drop me a note [Winikat on Nanowrimo.org] and we can be writing buddies.  I make for a very good virtual cheerleader!)